In interviews with 'Christopher Street' editor Michael Denneny about their three-year affair, Philip and Neil try to make sense of what they meant to each other and what it was like to invent a modern gay relationship.
Critics saw 1970s "gay macho" as an abandonment of feminism for male privilege and heteronormativity. But they missed the emergence of a new, distinctively gay culture.
George Stambolian and Sam Hardison discuss the importance of the male image in twentieth-century art, and the struggle to overcome taboo and homophobia in the art establishment.
